2009-10-13
Architectural Lighting Awards: The Metropolitan Museum of Art, the Wrightsman Galleries San Francisco, New York, Minneapolis
Auerbach Glasow French, Architectural Lighting Design and Consulting, has won two international lighting design awards for the newly renovated and reinstalled Wrightsman Galleries for French Decorative Arts at The Metropolitan Museum of Art, New York, NY. The International Association of Lighting Designers (IALD) Award of Excellence, among the highest honor given by that program, was awarded to the design team and presented on May 6, 2009. Additionally, the Award of Merit of the International Illumination Design Awards was awarded to the designers by the Illuminating Engineering Society of North America (IESNA). The IESNA Award was announced on May 12, 2009, and will be presented on November 15, 2009, at the IES Annual Conference.
The Galleries hold the museums renowned collection of French furniture and decorative arts housed in extravagant 18th century rooms. Witness to Kings, Queens and Courtiers, these grand rooms were dramatically transformed from lifeless museum displays into atmospheric environments. Each rooms environment and character is slightly different. Visual hierarchy, balance, shadow, color temperature, sparkle, time of day and place are conceptually woven into the lighting. Within that context the spectacular objects on display are revealed in all their glory and lit within strict low light level conservation limits. Period historic chandeliers, torchères and sconces were sensitively rewired, internal lighting was refurbished and candlesticks were equipped with electric flames that subtly move. As no natural light penetrates any of the rooms all lighting, including simulated daylight, is achieved with electric light sources.
Accent lighting of the objects utilized a number of subtle techniques including recessed low voltage lighting in the ceilings, tiny adjustable fixtures hidden in the chandeliers and fiber optic sub miniature spotlights hidden in the people barriers at room entrances. Fluorescent sources were used in most cases to simulate daylight through windows. All sources are dimmed to allow subtle balance of the intensity of multiple light sources as well as the extension of the lamp life of incandescent sources in use. Selected presets are activated by an astronomical time clock with manual override available for special events.
Details: www.auerbachconsultants.com and www.metmuseum.org
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